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PALLADIO AND THE VENETO | Villa Porto - Molina di Malo - (1570) | ||||||||||||||
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The extraordinary ten brick-column shafts which dominate the great Quattrocento farmyard of the Porto family at Molina mark the first stage of a grandiose project which Palladio conceived on behalf of Iseppo (Giuseppe) Porto: in fact, the patron’s name is inscribed on the plinths of the splendid stone column bases, next to the date 1572. The rich protagonist of one of Vicenza’s most important families, and brother-in-law of both Adriano and Marcantonio Thiene (patrons of the homonymous palace by Palladio), Iseppo Porto already owned a grandiose city palace which Palladio had designed him over twenty years earlier. From archival documents one realises that the enormous columns are not the fragments of a monumental barchessa, like that for the Pisani at Bagnolo, but rather of the façade of a true and proper country residence. The enormous Corinthian colonnade, a direct quotation from the pronaos of the Pantheon, would have reached an overall height of over thirteen metres. Lower porticoes, on a quarter-circle plan and still visible in the nineteenth century, would have tied the manorial house to agricultural annexes to left and right. This surprising edifice recalls two other projects by Palladio, the Villa Mocenigo on the Brenta and the Villa Thiene at Cicogna, neither of which was ever executed though both are documented by various autograph sketches and were included in the Quattro Libri. It is interesting to note that, in publishing Giuseppe Porto’s city palace in the Quattro Libri, Palladio enriched the original project with a courtyard of a giant Composite order extremely close to that of the villa at Molina. Giuseppe’s death in 1580 put paid to the building works, which were never completed. |
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